Well, here we are, an entire day late. It's OK though, I'll give you three songs.
This first one is from my new favorite artist, Nujabes. Nujabes is a Japanese house DJ who (I have found out by perusing his Wikipedia page) created his name by making an anagram of his real moniker, Jun Seba. JUN SEBA. Why you would want to change that gem is beyond me. It sounds like a Jedi or some crazy Kung-Fu Master. Of DJ-ing. I really cannot explain my new found passion for house music, except that listening to The Pulse radio station almost non-stop while on stand with Nat at the nude beach this summer might have had something to do with it. I have never been into "dance" music, but damn, this gets me moving. And corny, apparently. But anyone who lists Pat Metheny (look up "First Circle) as a major influence is alright in my book.
Now I did say three this week. Number two is the background chart Nujabes dubbed over to make that song above. The reason that Nujabes' chart jumps out so much is because the music sounds like you're hearing it through walls; like there is a awesome party going on next door and you want to get in. Anyway, the original is just as good in that solid, old-fashioned Motown-style. If you scroll back, the reason Estelle appears on here is because of her Motown influence in "Pretty Please." And this band has such an awesome name, The Quadraphonics. And they sound like a poor-man's Jackson-5.
The last song today is a short track that has, arguably, had more influence on music than any other piece. This song is "Amen, Brother" by The Winstons, an otherwise unknown band. You cannot find this song in this version on iTunes or anywhere else and it has been driving me crazy. I am a sucker for these types of blaring, dirty jazz/funk beats. Maybe this is why I am finding myself enjoying house so much; maybe it's the simple repetition of phrases in the music that my ear is already attuned to admire. Anyway, at 1:27 the drum solo is so often cut and sampled in that you should recognize it when you hear it. If you don't, there is an eighteen minute youtube video about why these fifteen-or-so seconds are important. I just think it's a good song.